Dookie, the band's Diamond-selling major label debut (originally released by Reprise Records in 1994), will be available on a 180-gram, audiophile-grade black-vinyl disc pressed by Pallas and packaged in a single-pocket Stoughton jacket

180 vinyl version of "Give Me Convenience or Give Me Death" the compilation album by the Dead Kennedys originally released in 1987. The album is made up of songs (or in some cases, different versions of songs) that did not appear on the band's studio albums. This is a wide and deep collection of favorites like "California Über Alles" and "Holiday in Cambodia," but the real reason to pick up this disc is the more obscure and rare material and of course the non LP hit "Too Drunk to Fuck."

SMASH still holds the record as the biggest selling indie release of all time, with over 12 million CDs sold worldwide; 6 million in the US. Here it is re-mastered, with every metallic power chord and sing along chorus the way it sounded in the studio. Features an expanded 24-page booklet with cool images from the international release of SMASH.

Static Age is an album by the American horror punk band the Misfits. It was recorded in 1978 but was not released in it's entirety until 1997.

Originally released in 1998, the Shape of Punk to Come "blurs the lines that separate punk, metal and hardcore, while peppering this brutal fusion with bits of techno percussion, jazzy rhythmic change-ups and long, complex song structures that support politically-charged messages," (CMJ, 1998). Refused's most critically acclaimed and final album exploded on the scene with the jaw-dropping hardcore anthem "New Noise," which Rage Against the Machine guitarist Tom Morello once described as "one of the great rock jams of all time" (Filter, 2006), and helped change the game forever influencing a range of genres still to this day.

2004 album from Green Day on double vinyl with a gatefold sleeve. WEA.

Without a doubt, 1989's NO CONTROL is one of Bad Religion's best releases. This was one of the albums that helped bridge the band's more reckless earlier direction with their more focused (but just as pissed-off) '90s-era. If you're just discovering the band, NO CONTROL is a wise first purchase, on the strength of such cuts as 'Big Bang,' 'Automatic Man,' the title track, and 'I Want to Conquer the World.' NO CONTROL is one of punk's greatest all-time albums and a quintessential purchase for fans of the genre.

Bad Religion: Greg Graffin (vocals); Mr. Brett (guitar, background vocals); Greg Hetson (guitar); Jay Bentley (bass, background vocals); Pete Finestone (drums). Recorded at Westbeach Recorders, Hollywood, California in June 1989.

180 gram vinyl version of the 1980 debut album from San Francisco's most popular and powerful political punks. Filled to the brim with rage and thought provoking lyrics, plus some damn good songwriting and excellent production for a punk album from this time period. A damn classic! Includes the "hits" "California Uber Alles," "Kill the Poor," "Holiday in Cambodia" and a killer cover of "Viva Las Vegas."

Repressed and back on black vinyl. This is Bad Religion's 1990 album on the best format around.

On November 22, Anti/Epitaph Records are thrilled to be re-releasing two seminal albums by the band. For the first time the acclaimed band's catalogue has been united, as their classic albums Fallow (1997) and Left And Leaving (2000) join more recent Anti offerings including the critically heralded Reunion Tour, of which Paste magazine said, "If such a prize existed, it would be the leading candidate for this year's Punk Pulitzer."

Bad Religion's first record for a major label (Atlantic Records) opens with two guns blazing and doesn't stop firing until both sides of "Recipe for Hate" are played out. Battling it out for more than a decade in L.A.'s punk scene with their own label, the big money finally came calling for this 1993 album. Instead of toning down their act due to mainstream support, Bad Company came out with their most inventive and original album in years. Speaking truth to power as all true punks should, lead singer Greg Graffin and his mates continued turning the punk scene on it's ear. Ultimately, this album rose to #14 on the Billboard Heatseekers chart. Own this original 1993 release on vinyl today. Atlantic.

Out of print in the U.S.! Black vinyl LP pressing of this 2003 album from the SoCal punksters, their major label debut. 19 tracks. Epitaph.

Contains a 12" 8 page booklet.

Everything Sucks is the fifth studio album by American punk rock band the Descendents, released in 1996 through Epitaph Records. It was their first album of new studio material since 1987's All, after which singer Milo Aukerman had left the band to pursue a career in biochemistry. The remaining members (bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson) had changed the band's name to All and released eight albums between 1988 and 1995 with singers Dave Smalley, Scott Reynolds, and Chad Price. When Aukerman decided to return to music the group chose to operate as two acts simultaneously, playing with Aukerman as the Descendents and with Price as All.

Vinyl version of the classic 1985 release from the Dead Kennedys, the antidote to Reaganomics! Take a trip back to the 80s, when the conservative revolution was in full swing, MTV actually played videos, jocks were only starting to invade punk shows and the band was arrested on obscenity charges. Incredible songwriting that still sounds timeless, combined with amazing guitars and production. The real deal.

Legacy of Brutality is a compilation album of early songs by the New Jersey punk rock band Misfits. The album contains overdubbed mixes of previously unreleased tracks, mainly from the January-February 1978 Static Age sessions. Besides the Box Set, this is the only album to contain the songs "American Nightmare" and "Who Killed Marilyn?". This compilation was one of the first (aside from bootlegs) to release many of the Static Age tracks to the common public. Glenn Danzig, having mixed and produced it, overdubbed much of the album's material without consulting any former band members.

Vinyl version of the Dead Kennedys' final studio album from 1986 features 21 tracks, including 'Chickshit Conformist', 'Hop with the Jet Set', Anarchy for Sale'. Classic political punk rock, often imitated, never duplicated.

Explosive 1981 follow up to Fresh Fruit. Classic 8-Song Hardcore EP remastered from the original studio tapes.

2002 vinyl LP reissue. The raw energy of The Adolescents announced the birth of the So. Cal. Punk scene. Brash lyrics and furious playing were their hallmarks that led to a cult status among punk afficianados. Their self-titled album from 1981 set the proverbial stage for everyone from The Dead Kennedys to Green Day and Offspring. Scoring a punk hit with "Amoeba," The Adolescents soon outgrew each other and split apart. Yet their attitude and high-intensity playing live on. Original copies of their only LP are nearly impossible to find, but this reissue on vinyl is a treat for punk fans and collectors. It is one of those rare albums you just can't miss. Frontier Records. Recorded at Perspective Sound, Sun Valley. Mastered at A&M, Hollywood by Frank DeLuna

Earth A.D./Wolfs Blood is the last album released by American horror punk band Misfits to feature founding member and lead vocalist, Glenn Danzig. Danzig released it on his Plan 9 label in December 1983, two months after he played his last concert with the band. It was noticeably harder and faster than their previous releases, showing more of a hardcore punk sound. Since it's release it has often been referred to as simply "Earth A.D." amongst fans. Originally released as a 9 song LP, it was later issued with the three tracks of the Die, Die My Darling EP incorporated into the track listing: "Die, Die My Darling", "Mommy, Can I Go Out and Kill Tonight?" and "We Bite". Glenn Danzig has said that the tracks "Bloodfeast" and "Death Comes Ripping" were originally intended for Samhain's first release, but were added to what would be the Misfits' final record in a last-ditch effort to save the band. Metallica covered "Die, Die My Darling" for their 1998 cover album Garage Inc, as well as "Green Hell", which was originally covered by Metallica for their 1987 album, Garage Days Re-Revisited, as part of a medley with "Last Caress". British extreme metal band Cradle of Filth covered "Death Comes Ripping" for their 1999 release From the Cradle to Enslave.